They all started up from a scratch, as street kids on the block, spraying their neighborhoods walls. 20 years later, they are established fine artists representing the street culture.
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After he loses his high-paying job, Dory takes a gig as a night janitor in order to pay rent. Alone late at night inside a market research firm, he soon discovers the company is experimenting on their other janitors.
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The orange may not seem like the most obvious point of departure for an examination of the Israeli-Palestinian conflict, but during the last century, the disputed border area between Israel and the territories was one of the world’s biggest exporters of this “orange gold.” In Jaffa, The Orange’s Clockwork, director Eyal Sivan reconstructs how Jaffa started out as a Palestinian place name before becoming an Israeli brand name, and how the orange harvest shifted from a joint undertaking into a symbol used by both parties in the escalating conflict. The filmmaker uses a great deal of archive footage, from the very earliest photography in 1840 right up to crisp, modern video. The images are accompanied by commentary from a range of experts, who watch them projected on the walls of their offices or on tablecloths hung up in their living rooms. From historians to art experts, poets to political analysts, each gives his or her perspective on the archive footage, which over the years has become increasingly laden with ideological significance. Orange eaters and pickers — many of whom remember the more harmonious times when Jews and Arabs still worked side by side in the orchards — also have their say.
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Based on writer/director Buddy Giovinazzo's novel of the same name, Life Is Hot in Cracktown explores how crack cocaine infiltrated the streets of urban America by following the journeys of four people whose lives are on a tragic collision course. Pre-op transsexual Marybeth (Kerry Washington) is working as a prostitute in order to save enough money to make her transformation complete. She lives with her lover, Benny, a small-time burglar, whom she hopes to marry after her final operation. Meanwhile, Manny (Victor Rasuk) is busy pulling double shifts while his wife, Concetta (Shannyn Sossamon), cares for their sickly infant son in their run-down apartment. By night Manny works at a 24-hour bodega frequented by junkies, drug dealers, and prostitutes, and by day keeps the peace as a security guard at a welfare hotel. One of the residents at that hotel is Willy, a ten-year-old boy who lives with his mother (Illeana Douglas) and her abusive boyfriend. Willy begs for money on the street so he and Susie can get some fast food. But it's dangerous out there, because volatile gangster Romeo (Evan Ross) is still searching the streets for his brother's killer, and he won't hesitate to terrorize anyone unfortunate enough to cross his warpath. Lara Flynn Boyle, Brandon Routh, Desmond Harrington, and RZA co-star.
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The conquest of Earth from space is a staple of science-fiction.
In reality, technology now exists to weaponize space.
With unprecedented access to present and former US military personnel and insights from space-policy hawks, activists, and analysts, this elegant, shrewd, feature documentary explores our pivotal moment in history.
Today while many nations seek space peace treaties the US military pursues a doctrine of 'Full Spectrum Dominance' that aims to control all arenas of war – land, sea, air, and space.
The counter-strategy of reviving a super power arms race invites catastrophe: the destruction of vital civilian satellites and nuclear war.
Will we bring war machines to space or keep space weapons-free?