20 January 1946, Missoula, Montana, USA
David Keith Lynch
5' 11" (1.80 m)
Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Chambers Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1976), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series "Twin Peaks" (1990), which he adapted for the big screen, though his comedy series "On the Air" (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.
Has frequently cast Jack Nance, Kyle MacLachlan, Sheryl Lee, Laura Dern, Isabella Rossellini, Sherilyn Fenn, Harry Dean Stanton, Michael J. Anderson, Everett McGill, Frances Bay, Dean Stockwell, David Patrick Kelly, Brad Dourif, Catherine E. Coulson, Grace Zabriskie, Ian Buchanan, Alicia Witt, Justin Theroux, Bellina Logan, Laura Harring, and Naomi Watts.
Finds small-town USA fascinating.
Has a taste for low/middle frequency noise, dark and rotting environments, distorted characters, a polarized world (angels vs demons, Madonnas vs whores), and debilitating damage to the skull or brain.
Use of slow-motion during key scenes of violence.
Red Curtains.
Strobe Lights.
Almost always casts a musician for a supporting role: Sting in Dune (1984); Chris Isaak, David Bowie and Julee Cruise in Twin Peaks: Fire Walk with Me (1992); Marilyn Manson and Henry Rollins in Lost Highway (1997); Billy Ray Cyrus, Rebekah Del Rio and Angelo Badalamenti in Mulholland Dr. (2001).
Uses many references to France, the French language, culture, people, and names.
Constant references to dreams as a way of connecting the plot and twists in his films.
Uses Roy Orbison songs in his films.
Close up shots of eyes
His regular casting director is Johanna Ray.
Emily Stofle (26 February 2009 - present)
Mary Sweeney (10 May 2006 - 12 February 2007) (divorced) 1 child
Mary Fisk (21 June 1977 - 29 August 1987) (divorced) 1 child
Peggy Lynch (1967 - 1974) (divorced) (1 child)
An FBI agent tracks a serial killer with the help of three of his would-be victims - all of whom have wildly different stories to tell.
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Based on a harrowing true story. The cop of the tale, Hank, is called to a bungalow in a respectable San Diego neighbourhood where a man named Brad has barricaded himself in his house and taken two hostages. Across the street, Brad's mother lies dead, found sprawled in a pool of blood, the victim of a sword wound. The son is suspected of the murder. As Hank uneasily prowls the sunlit street outside the bungalow, a string of Brad's friends arrive on the scene, among them his girlfriend and a director pal. Slowly the bizarre pieces of the story are placed in front of the cop, who tries to make sense of it all. Not only has the suspected murderer never been the same since he returned from a kayaking trip to Peru, but he also seems to be suffering from a strange mother complex. To deepen the psychosis even further, Brad has been rehearsing one of Sophocles' plays that has a lot to do with mothers!
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David Sieveking is a young emerging, Berlin-based filmmaker, with high ambitions, but no real inspiration. Making subversive films like David Lynch, his hero, in his dreams. Meeting the master himself has been on his list for a long, long time. When he learns that Lynch will speak at a conference about transcendental meditation in Fairfield, Iowa of all places - he seizes the moment, gets a ticket and flies out to meet his idol. As an added bonus he gets a first introduction to transcendental meditation which takes him on a journey from Berlin to the US, via India, the Netherlands and back home again.
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Great Directors, directed by Angela Ismailos, features conversations with ten of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera. She explores the filmmakers' artistic evolution and personal identity, the role of politics and history on their work, and the agony and dilemmas in the creative process. It also examines the challenges of being an artist in an age of commercialism and globalization. The film traces the influence of cinematic movements and iconic directors on these directors' work-from the role of Neo-Realism in Bertolucci's evolution to the influence of Federico Fellini on David Lynch, Ingmar Bergman on Catherine Breillat and Rainer Werner Fassbinder on Todd Haynes.
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