27 May 1911, St. Louis, Missouri, USA
25 October 1993, Los Angeles, California, USA (lung cancer and emphysema)
Vincent Leonard Price Jr.
King of the Grand Guignol
6' 4" (1.93 m)
Actor, writer, and gourmet, Vincent Price was born in St Louis, Missouri. He traveled through Europe, studied at Yale and became an actor. He made his screen debut in 1938, and after many minor roles, he began to perform in low-budget horror movies such as House of Wax (1953), achieving his first major success with House of Usher (1960). Known for his distinctive, low-pitched, creaky, atmospheric voice and his quizzical, mock-serious facial expressions, he went on to star in a series of acclaimed Gothic horror movies, such as Pit and the Pendulum (1961) and The Abominable Dr. Phibes (1971).
He abandoned films in the mid-1970s, going on to present cooking programs for television - he wrote "A Treasury of Great Recipes" (1965) with his second wife, Mary Grant - but had two final roles in The Whales of August (1987) and Edward Scissorhands (1990). He also recorded many Gothic horror short stories for the spoken-word label Caedmon Records.
Often played in horror films with a sense of black humour
Playing an anti-hero who wants revenge on those who wronged him
Frequently played villains who died screaming
Distinctive low-pitched voice and atmospheric narration.
Often played imposing, menacing villains.
Coral Browne (24 October 1974 - 29 May 1991) (her death)
Mary Grant (25 August 1949 - 1973) (divorced) 1 child
Edith Barrett (23 April 1938 - 4 June 1948) (divorced) 1 child
Writer Richard Harland unhesitatingly marries lovely Ellen Berent. He soon finds his life blighted when tragedies take first his brother then his unborn son from him. He comes to suspect these events are not unconnected with his wife's unreasoning jealousy. This also turns her family from her, and yet another shock awaits them all as Ellen's emotions become uncontrollable.
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Detective Mark McPherson investigates the killing of Laura, found dead on her apartment floor before the movie starts. McPherson builds a mental picture of the dead girl from the suspects whom he interviews. He is helped by the striking painting of the late lamented Laura hanging on her apartment wall. But who would have wanted to kill a girl with whom every man she met seemed to fall in love? To make matters worse, McPherson finds himself falling under her spell too. Then one night, halfway through his investigations, something seriously bizarre happens to make him re-think the whole case.
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