There are about 2 Lakh policemen in Mumbai. Tasked with the safety of this enormous city, a majority of them don't necessarily have the "cleanest" of vardis. When four such police inspectors are burnt alive in a series of merciless killings, the entire police force is rocked with terror. The media is looking for answers. The public is on the fence over these killings. These crimes reflect Vir as a person. Bold, Calculating, and Unapologetic. He's not scared of killing, or dying. It was clear that he had an agenda. A reason. A drive; behind these deaths and he was far from done. Fearing the next attack, the Commissioner calls upon their best bet to catch Vir. DCP Shivansh is what a proper policeman looks like. Strong, Courageous, Patriotic and most importantly, "Clean." And of course, he's the best at what he does. What follows is a succession of events that will test his Probity to the fullest. He is up against Vir, who is a vigilante and will stop at nothing to complete his mission.
Fans flock to a festival celebrating the most iconic horror movies, only to discover that the charismatic showman behind the event has a diabolical agenda. As festival attendees start dying off, three teenagers - more schooled in horror-film cliches than practical knowledge about neutralizing psycho killers - must band together and battle through various madmen and monstrosities to survive.
An adult Christopher Robin, who is now focused on his new life, work, and family, suddenly meets his old friend Winnie the Pooh, who returns to his unforgotten childhood past to help him return to the Hundred Acre Wood and help find Pooh's lost friends.
A Tarkovskian dream-like landscape, featuring the inhabitants of a Turkish retirement home where pranksters, artists and old casanovas seduce us to confront the true nature of time.
Dyke Jails shows women's gender discrimination in prisons and how lesbian desire could be a kind of resistance against the penitentiary institution. Our starting point is that prisons are a favourable environment for the transformation of desire. In prison, some women discover novel forms of sexuality that form an enclave of freedom. This enclave constitutes an escape as well as a form of resistance to a heterosexual and controlling institution, such as a prison. Some sense of deviant forms of sexuality in prison has been widespread, yet with little knowledge of the extent and also in what way these types of sexuality have been acted out. Cinema and the media convey, above all, the existence of forced sexual relations in mens' prisons and the abuse of power in all of them. Nevertheless, a different reality exists in parallel: Erotic-affectionate relationships between women, often satisfactory, in women's prisons. We reached out to former female.