Natalia de Molina

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Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

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When Lila, a celebrated but fame-weary and amnesiac singer forgets how to perform, super-fan Violeta steps in to teach Lila how to be Lila once again.

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In 1942, after three years of bringing back dignity to mothers interned in refugee camps and saving the lives of their babies, the Maternity of Elna has been ordered to close it's doors by the French authorities. Its director Elisabeth Eidenbenz, the mothers and their collaborators who have helped to make everything possible, will try to prevent it.

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Spring of 1992, City of Zaragoza (province of Zaragoza, autonomous community's capital of Aragón; north-east to Spain). Celia is a 11-years old girl who lives alone with her widow mother Adela. Nice and friendly, Celia's world reduces to her students in a catholic school for ladies and helping Adela with the homework as cooking and cleaning the rooms. However, her apparently peaceful world changes when to the school arrives Brisa, a new classmate from Barcelona (Catalonia's capital). Curious, restless and exciting, Brisa introduces Celia in modern music bands that she doesn't know, at the same time that Brisa befriends with another classmates as Cristina and Cristina's older sister Clara. Despite the modernity of a Spain which in that year was focus of attention by Madrid as European Cultural Capital, the Expo '92 in Seville and the Olympian Games in Barcelona, Celia lives a conservative and repressive education not only by the nuns, but a worker-class and illiterate Adela, denied to talk about Celia's father and worried about her own aging father, unable to visit him after she was banished from her natal small town to be mother not having marry before. Questioning her mother as the world she knows, Celia spends her time with the girls playing to make up, testing alcohol and smoke, dancing in the discotheques at the weekends, and learning she is despised in the school for to having father as the rest of the girls. Starting the way to be a future adult, Celia feels herself as a stranger looking for know who she is and which is her place in the world. "The Girls" is the portray of a generation as unique as the time they lived.

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