Harris Dickinson

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An aimless teenager on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.

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Ruby Daly never thought she would survive the horrible plague that killed 98% of America's children... but she did. Those who survived the disease were left with unnatural powers that could only be described by a color: the greens (super intelligent), the blues (telekinesis), the yellows (control over electricity), the oranges (power over the mind), and the reds (control fire). Ruby is an orange, a dangerous one. She is sent to Thurmond, a camp for kids like her. She is miserable there and scared of what happened to the others like her. She hides under the facade that she is a green and watched as those like her are taken away. She escapes this horrible place with the help of the children's league, and from there her life changes forever.

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Essex boy Jim is so beautiful you'd think a Greek sculpture had just come to life, but with no future in the cultural-desert that is his small town and the prospect of fame, fortune and cultural stimulation beckoning in Soho, like many before him, Jim journeys to London.

On his first night, Jim is robbed and left penniless. He spends the night in an intricately made DIY cardboard box home with a homeless kid who suggests he join 'The Raconteurs' - a coterie of male escorts whose unique selling point is their encyclopaedic knowledge of the arts.

What follows is Jim's comic descent from unsuccessful escort, to artist's muse and art authenticator - a journey complicated by a rare psychosomatic condition called 'Stendhal Syndrome' which renders him painfully oversensitive to art. Jim's encounters with paintings by artists such as Caravaggio cause fainting and hallucinations. But while this condition threatens to bring about his downfall it might also open up new opportunities if Jim is willing to grab them.

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A drama focusing on a group of friends in their late 20s.

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The term 'county lines' describes the practice of using children to traffic drugs from cities to coastal towns and rural areas, an under-reported fact of modern British life. Inspired by the stories he heard while mentoring kids at an East London pupil referral unit, writer-director Henry Blake's powerful feature debut boasts a compelling central performance by Conrad Khan as 14-year-old Tyler, whose mum Toni is struggling to provide for him and his sister. Excluded from school, Tyler becomes a train-bound narcotics courier for local criminal Simon, played with a calm menace by Harris Dickinson. County Lines depicts the ensuing cycle of debt, deceit and violent exploitation with a quiet stylistic confidence that's all the more haunting for being so rigorously unsentimental.