IMDb:https://www.imdb.com/name/nm0000694/
Date of Birth:14 August 1945, Düsseldorf, North Rhine-Westphalia, Germany
Height:6' 3" (1.91 m)
Trademarks:Glasses with thick, dark rims. On-the-road location filming Road films Dramatising the human struggle through the use of landscape, nature and isolation Often works with Robby Müller
In 2014, Ukrainian activist and filmmaker Oleg Sentsov was being tried for allegedly planning a terrorist attack in the contested region of Crimea. Though the testimonies against him were spurious, it was clear that his case would not receive a fair trial. As he became an example of Russian state power, he nonetheless remained openly defiant, drawing public support from directors Wim Wenders and Alexander Sokurov.
In a room with no windows on the eastern coast of Africa, a Scotsman, James More, is held captive by jihadist fighters. Thousands of miles away in the Greenland Sea, Danielle Flinders prepares to dive in a submersible to the ocean floor. In their confines they are drawn back to the Christmas of the previous year, where a chance encounter on a beach in France led to an intense and enduring romance.
Pope Francis - A Man of His Word is intended to be a personal journey with Pope Francis, rather than a biographical documentary about him. The pope's ideas and his message are central to this documentary, which sets out to present his work of reform and his answers to today's global questions.
Director of Photography Robby Müller is one of the few people in the world who knows how to play the sun. How to catch its rays like butterflies. How to strike its beams like chords. When Robby moves his camera, the camera turns into a musical instrument. And the whole world dances, radiates, is illuminated. For her extraordinary film essay Director and DoP Claire Pijman had access to Müller's personal archive: thousands of Hi8 video diaries, personal pictures and Polaroids that Müller photographed throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice. With his ground-breaking camerawork, inventive lighting methods, his exceptional sense for the depth of colour, and the freedom of framing, plus his.
The film revolves around the relationship of two teenage sisters in one of Egypt's Nile Delta cities, one of them holds a secret life in the virtual world.