Lebanon is a tapestry, a mosaic of religions and spheres of influence, its representatives all attempting to co-habit while competing for control over a country even its own citizens have compared in size and deadliness to a scorpion's genitals. As such, this portmanteau collection of four short films from eight Lebanese directors is a fitting snapshot of life in a country as defined by its natural beauty and irresistible human spirit as it is its seemingly intrinsic dysfunction.
The four stories range between the tale of a Lebanese man pretending to be a Syrian migrant in order to smuggle his way into Europe and an unfortunate encounter between an octopus and an intrepid swimmer, and pretty much everything in between. Together, they reflect the multiplicity of voices and characters in this boisterous, bustling country.
Lebanon, July 2006. War is raging between Hezbollah and Israel. During a 24h ceasefire, Marwan heads out in search of his father who refused to leave his Southern village and leaves his wife Rana preparing alone their immigration to Canada. Marwan finds no traces of his father and the ceasefire is quickly broken, forcing him to take shelter in Najib's house, his father's friend. Marwan finds himself trapped under the rain of bombs with Najib and a group of elders, friends of his father. Tension rises inside and outside of the house. Suddenly, a group of Israeli soldiers enter the first floor. The next three days sees the situation spiral out of control.