Gemma Arterton

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In a dystopian near future, humanity has been ravaged by a mysterious fungal disease. The afflicted are robbed of all free will and turned into flesh-eating 'hungries'. Humankind's only hope is a small group of hybrid children who crave human flesh but retain the ability to think and feel. The children go to school at an army base in rural Britain, where they're subjected to cruel experiments by Dr. Caroline Caldwell. School teacher Helen Justineau grows particularly close to an exceptional girl named Melanie, thus forming a special bond. But when the base is invaded, the trio escape with the assistance of Sgt. Eddie Parks and embark on a perilous journey of survival, during which Melanie must come to terms with who she is.

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Three people, three extraordinary stories. All lived out within a hundred London streets.

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A British film crew attempts to boost morale during World War II by making a propaganda film after the Blitzkrieg.

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Four different instances in the life of the same woman, as this is divided into four significant periods of her existence, such as childhood, puberty, adolescence and adulthood, all representing fragments and diverse aspects of her being as its central focal point. Emotionally damaged, Renée is a caring school teacher who is committed to the education of the underprivileged youth, trying to get pregnant with her boyfriend in an attempt to straighten up her life. However, her past is going to catch up with her in the shape of Tara, a self-destructive, addicted gambler, who has some unfinished business with her which date back some seven years ago. As we make a step back in time, we find Sandra, a careless and fresh young woman in her twenties, who is introduced to the world of horse races by the professional gambler, the elderly Lev who gives her a job at the racetrack as a "mule" carrying bet money to the cashiers. Later on and further back in time, Karine is an early-developed.