Gaspard Ulliel

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After 12 years of absence, Louis, a writer, goes back to his hometown, planning on announcing his upcoming death to his family. As resentment soon rewrites the course of the afternoon, fits and feuds unfold, fuelled by loneliness and doubt, while all attempts of empathy are sabotaged by people's incapacity to listen and love.

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There was nothing in her background to prepare Loïe to become the toast of the Folies Bergères in Paris and stages across the world. Then she created the 'Serpentine Dance'... 1887. After the death of her gold prospector father, 25-year-old Marie-Louise leaves her life in the American West to join her mother in New York and pursue her heart's dream - becoming an actress. One night on stage, becoming tangled in her long dress, she avoids falling by spinning the fabric in a graceful, magical gesture: the "Serpentine Dance" is born. The audience - shocked, then overwhelmed - calls out for more. Marie-Louise has become Loïe Fuller. She embarks on a new, hectic life, leaving New York, where imitators try to steal her radical innovations, for Paris. At the Folies Bergères, she dazzles the capital, and illustrious admirers fall at her feet. Toulouse Lautrec, the Lumière Brothers, Rodin... the Electric Fairy becomes an icon, the blazing symbol of a generation. But fame isn't all. An encounter.

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-Indochina, 1945. Robert Tassen, a young French military, is the only survivor of a massacre in which his brother has perished under its eyes. Blinded by its revenge, Robert committed in a quest solitaire secret and in search of the assassins. But his meeting with Mai, a young Indochinese, will disrupt its beliefs.

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-In 1789, a people is entered into revolution. Let us hear it. It has things to say to us. A people and its king crosses the destinies of men and women of the people, and historical figures. Their meeting place is the any young National Assembly. At the heart of the history, there is the fate of the King and the emergence of the Republic.

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Alternately traumatic and sensual memories from that period keep intruding on 40ish Sibyl's otherwise mended life, like rude mental glitches. Perhaps that's partly why she hits the brakes on her day job, dropping multiple damaged clients so she can spend more time working on her first novel - only for the blinking cursor on her blank-screened laptop to glare back at her like an admonishment. In need of distraction, she changes her mind and takes on a new, intriguing client: young, fragile actress Margot, who's mired in a hellish love triangle with Igor, the dreamy, preening leading man on her latest film, and Mika, her jealous, demanding female director. Pregnant with Igor's unwanted child, Margot doesn't want Sibyl to analyze her so much as take charge of her collapsing life. That's an overstep that the dubiously good psychotherapist, who at last finds writing inspiration in the ingenue's real-life melodrama, is all too willing to take, even jetting to Stromboli to coach her client.