Uldis Cekulis

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Under the loving but firm guidance of an old fan turned director and cultural diplomat and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first foreign rock group ever to perform in the fortress state of North Korea. Confronting strict ideology and cultural differences, the band struggles to get their songs through the needle's eye of censorship before they can be unleashed on an audience never before exposed to alternative rock'n'roll. Meanwhile, propaganda loudspeakers are being set up at the border between the two Koreas and a countdown to war is announced. The hills are alive.with the sound of music.

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Kristine Briede and Audrius Stonys's meditative documentary essay portrays the less-remembered generation of cinema poets of the Baltic New Wave. With finesse, they push beyond the barriers of the common historiographic investigation in order to achieve a consummate poetic treatment of the ontology of documentary creation.

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For most of us, the cyclists at the back of the race are simply the losers. They are called water carriers, domestics, gregarios, and the Sancho Panzas of professional cycling. Moreover, they rarely experience personal victories - these sportsmen sacrifice their careers to help their teammates. We follow the magnificent world of the cycle race from the point of view of the doctors' team situated in a claustrophobically small medical car surrounded by wounded cyclists. The life of the medical team in the race reminds one of the front line of war. Cyclists crash, they rise and they race again, and amongst this chaos, many magnificent things happen. This film-odyssey reveals the untold world of the wonderful losers, the true warriors, the knights and monks of professional cycling.

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An uptight rafting instructor loses his clients to the dank waters and dark forests of a river valley pregnant with the paranormal. Bound by the roots of their pagan past and submerged in unconscious passions: do they want to be saved.