Steve Coogan

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Taking place in a Manhattan apartment building, Max's life as a favorite pet is turned upside down, when his owner brings home a sloppy mongrel named Duke. They have to put their quarrels behind when they find out that an adorable white bunny named Snowball is building an army of lost pets determined to take revenge.

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An aspiring young actress and her ambitious young driver struggle hopefully with the absurd eccentricities of the wildly unpredictable billionaire, Howard Hughes, for whom they work. It's Hollywood, 1958. Small town beauty queen, songwriter, and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his 7th grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes' #1 rule: no employee is allowed to have any relationship whatsoever with a contract actress. Hughes' behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.

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Whilst painters, writers, musicians even dancers are talked about as Artists, stand-up comedians are often regarded as mere entertainers - yet their work has possibly more direct effect on an audience than any other art form. These are social and cultural commentators who at their best can change the way we think about important matters whilst making us howl with laughter. A stand-up comedian must be the writer, the director and the star performer, and unlike any other performance there is no rehearsal, no practice, no safety net, the stand-up can only work in front of a live audience - with feedback being instantaneous and often brutal. For most people baring their soul to then have an audience boo or heckle them would be a life-changing trauma, for stand-ups it's a weekly challenge. Dying Laughing is a unique glimpse into the agony and ecstasy of performance along with an singular examination into the day-to-day life of a professional stand-up.

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Balthazar Bratt, a child star from the 1980s, hatches a scheme for world domination.

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A former history teacher and his wife Claire meet at a fancy restaurant with his elder brother, a prominent politician and his wife Babette. The plan is to discuss over dinner how to handle a crime committed by their teenage sons. The violent act of the two boys had been filmed by a security camera and shown on TV, but, so far, they have not been identified. The parents have to decide on what to do.