From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.
As a couple goes on a trip to find their way back to each other, a sideshow artist and his shady entourage emerge from the woods, terrorizing them, luring them deeper into a maelstrom of psychological terror and humiliating slapstick.
A rhythmically captivating exploration of love and loss at the fin-de-siècle. An amorous relationship between two women abruptly cut short. Dissolving under the impact of the loss of her soul mate, the surviving lover is drawn into the depths of mid-winter forests, into spheres of the subconscious, initiated by unknown forces. There is no return. The stream-of-consciousness narration, a collage of poetic fragments, features words by 16th century lesbian poet Katherine Philips, 19th century fin de siècle poets Renée Vivien and Algernon Charles Swinburne whose agnostic, visionary poetry lend the film a hypnotic quality.