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Peninsula takes place four years after the zombie outbreak in Train to Busan. The Korean peninsula is devastated and Jung Seok, a former soldier who has managed to escape overseas, is given a mission to go back and unexpectedly meets survivors.

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ABOUT ENDLESSNESS is a reflection on human life in all its beauty and cruelty, its splendor and banality. We wander, dreamlike, gently guided by our Scheherazade-esque narrator. Inconsequential moments take on the same significance as historical events: a couple floats over a war-torn Cologne; on the way to a birthday party, a father stops to tie his daughter's shoelaces in the pouring rain; teenage girls dance outside a cafe; a defeated army marches to a prisoner-of-war camp. Simultaneously an ode and a lament, ABOUT ENDLESSNESS presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.

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Rob loves driving and stealing cars, living his life at a hundred miles an hour in the cash-starved port town he calls home. He shares a house with his dying father who thinks he's out job hunting. Rob manages to keep his two worlds perfectly separated until best mate Leo gets him involved in a bigger, riskier job.

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Tensions run high from the opening minutes of this film. A desperate man in Tehran speaks to the camera: "I'm not sure if, tomorrow, I'll be dead or alive." This is Sahand, who has been in a long-term adulterous relationship with Leila, despite Iran's threat of the death penalty for infidelity. Now, the couple is fleeing the country with Mani, their four-year-old love child. Danish documentary filmmaker Eva Mulvad follows the family as they go into exile in Turkey and then enter United Nations bureaucratic limbo. They have the bad luck to start their journey in 2012, just as the Syrian Civil War is creating a mass wave of refugees; their case is pushed further down the list. Sahand and Leila are sympathetic and compelling figures on screen, keeping control of their negative emotions, as many parents do with children around. But they are quick to display joy, as revealed by the film's small moments: a birthday party, buying a bicycle, getting a job. As the years go by, their fate rests.

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When British aid worker Hana returns to the ancient city of Luxor, she comes across Sultan, a talented archaeologist and former lover. As she wanders, haunted by the familiar place, she struggles to reconcile the choices of the past with the uncertainty of the present.