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A brilliant painter facing the worst creative block of her life turns to anything she can to complete her masterpiece, spiraling into a hallucinatory hellscape of drugs, sex, and murder in the sleazy underbelly of Los Angeles.

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For over 120 years hundreds of thousands of black men from the countries of Southern Africa have left their families to dig for gold and produce the wealth of South Africa. Today these mining communities face severe poverty and the world's greatest epidemic of silicosis and tuberculosis caused by exposure to silica dust in gold mines. The true cost of South Africa's wealth is revealed by the juxta-positioning of present day gold miner stories with an archival voice created from state and mining records and repurposed industrial documentaries and propaganda films. The archival voice further reveals the untold story of how industrialised South Africa was built on a foundation of modern slavery based on a vast system of recruitment that utilized propaganda films since the early 1900's. Dying for Gold is also a story of mad love that holds men, women and children through experiences of unspeakable pain and death.

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At the Grand Hotel in Scarborough overlooking the North Sea, first Liz and then Aiden receive the keys of the respective rooms, declaring to be alone but finding themselves, in the space of a trip in the elevator, each one clinging to a younger lover. Over the course of a weekend, two love stories intersect and merge, forbidden and marked, mirroring one another. The couples' game is balanced, with Liz and Aiden both teachers struggling with both intense and problematic loves for sixteen-year-old Daz and Beth. Overflowing with vital ingenuity, the two boys represent a romantic and sensual ideal that begs to be lived, but at the same time requires to be hidden from prying eyes: there is not only age to complicate things, but the fact that every couple is composed of teacher and student. Liz is lithe and luminous as a 45 year-old teacher in love with her muscular pupil Daz, whose puppy-like naive enthusiasm could clearly wane. They've only actually spent 22 hours together during their.

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Filmed in the summer of 2019, "Jesus Is King" brings Kanye West's famed Sunday Service to life in the Roden Crater, visionary artist James Turrell's never-before-seen installation in Arizona's Painted Desert. Shot on IMAX cameras, this one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album "Jesus Is King".

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A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s.