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Acid is a silent manifesto of the generation of twenty-year-old. They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.

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A manager of an orphanage in Kolkata travels to New York to meet a benefactor.

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The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas, feeling like an existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

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Sixteen-year-old Pema lives in the remote mountains of Tibet. For generations her family has farmed their barley fields in peace. But when Pema's father is taken away by the Chinese authorities, her world is shattered. A Buddhist nun from the local nunnery walks into Pema's life and invites her to join a group of locals escaping persecution by walking over the Himalayas, into India. Pema is torn: can she leave her mother, grandmother and younger siblings at this time of crisis? Has she the right, or the courage, to join her friend and seek a new life for herself? As Pema struggles with her dilemma, there is no news about her imprisoned father. The clock is ticking, for everyone. Told through the eyes of a teenage girl, Barley Fields On The Other Side Of The Mountain is a film about the price of freedom, and who pays it. Shot entirely on location in the Himalayas with a non-professional cast, it is directed by a Chinese filmmaker determined to give a voice to the oppressed of Tibet.

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A woman living in New York takes control of her life- one block at a time.