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A sequel to the 2017 super hero film Wonder Woman.

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Nothing extraordinary ever happens to Carol Peters, so when she starts getting snarky backtalk from her TV, phone and microwave, she thinks she's being punk'd. Or losing her mind. In fact, the world's first super-intelligence has selected her for observation, taking over her life with a bigger, more ominous plan to take over everything. Now Carol is humanity's last chance before this artificial intelligence-with-an-attitude decides to pull the plug.

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The term 'county lines' describes the practice of using children to traffic drugs from cities to coastal towns and rural areas, an under-reported fact of modern British life. Inspired by the stories he heard while mentoring kids at an East London pupil referral unit, writer-director Henry Blake's powerful feature debut boasts a compelling central performance by Conrad Khan as 14-year-old Tyler, whose mum Toni is struggling to provide for him and his sister. Excluded from school, Tyler becomes a train-bound narcotics courier for local criminal Simon, played with a calm menace by Harris Dickinson. County Lines depicts the ensuing cycle of debt, deceit and violent exploitation with a quiet stylistic confidence that's all the more haunting for being so rigorously unsentimental.

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Douglas Quaid is haunted by a recurring dream about a journey to Mars. He hopes to find out more about this dream and buys a holiday at Rekall Inc. where they sell implanted memories. But something goes wrong with the memory implantation and he remembers being a secret agent fighting against the evil Mars administrator Cohaagen. Now the story really begins and it's a rollercoaster ride until the massive end of the movie.

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A troupe of hilariously self-obsessed theater stars swarm into a small conservative Indiana town in support of a high school girl who wants to take her girlfriend to the prom.