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Set in the near future, the film follows Teresa, who comes home to Bacurau, a village in Brazil's semi-arid sertão, to attend her grandmother's funeral. Upon her arrival, Teresa immediately observes signs that Bacurau is in dire straits. Basic amenities are in short supply, mobile-phone coverage is fading, clean water supply is dammed and the truck that brings potable water arrives riddled with bullet holes. It soon becomes apparent that the corrupt government has forsaken the village completely: not only has Bacurau been literally erased from the map, but its citizens are under attack. As the responsible close in, the villagers must prepare an organized resistance to avoid greater damage.

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El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters.

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Based on Peter Carey's novel. The story of Australian bush-ranger Ned Kelly and his gang as they flee from authorities during the 1870s.