IMDb:https://www.imdb.com/name/nm0000316/
Date of Birth:28 June 1926, Brooklyn, New York City, New York, USA
Height:5' 5" (1.65 m)
Trademarks:Has frequently cast himself, Gene Wilder (1933-2016), Harvey Korman (1927-2008), Rudy De Luca, Madeline Kahn (1942-1999), Cloris Leachman, Dom DeLuise (1933-2009), Ron Carey (1935-2007), Marty Feldman (1933-1982), and Kenneth Mars (1935-2011). Almost always uses music by John Morris Frequently uses the line: "We have much to do and less time to do it in." His films usually contain many Jewish references and jokes Always features one scene in his movies in which the main character is seated and staring blankly, wondering what went wrong, while friends console him. The main villain wears a moustache or a beard Always features a scene where one character is explaining a plan to another, and the latter character repeats everything the former says, including something outrageous. After realizing this, the latter exclaims "what?" The lead character in his films is always a male [Parody] Nearly all of Brooks' films parody a genre or a single film His films often contain references to the film's sequel, which never come to pass. Good examples of this are History of the World: Part I (1981), Spaceballs (1987) and Robin Hood: Men in Tights (1993). ["Walk this way" gag] One character says "Walk this way!" (as in "Follow me!"), and another character(s) copies the way he/she is walking (History of the World: Part I (1981), Young Frankenstein (1974) and Robin Hood: Men in Tights (1993)). Frequently has a bust of his head on the poster of video/DVD cover of his movies. All of his movies feature a wacky song-and-dance number Frequently makes fun of Adolf Hitler and Nazi Germany Visual or verbal gags where the characters break the fourth wall and reference the fact that they're in a movie. His main characters often stop and sarcastically direct a line to the camera/audience. His films often make numerous references to previous films whether a poster or cassette or an actual line spoken Despite being known for directing comedies, many of the films he acts as a producer on are heavy, serious dramas References to Franz Kafka's "The Metamorphosis" Energetic raspy voice with Brooklyn accent Over the top acting style
The Last Laugh pairs clips from films, performances, and interviews with top comedians and prominent Jewish leaders to ask the ultimate taboo question: Can the Holocaust be funny.
Harold and Lillian eloped to Hollywood in 1947, where they became the film industry's secret weapons. Nobody talked about them, but everybody wanted them. Theirs is the greatest story never told-until now.
A young neurosurgeon inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind.
The world's most beautiful woman was also the secret inventor of secure wifi, bluetooth and GPS communications, but her arresting looks stood in the way of her being given the credit she deserved... until now.
Mavis surprises Dracula with a family voyage on a luxury Monster Cruise Ship so he can take a vacation from providing everyone else's vacation at the hotel. The rest of Drac's Pack cannot resist going along. But once they leave port, romance arises when Dracula meets the mysterious ship Captain, Ericka. Now it's Mavis' turn to play the overprotective parent, keeping her dad and Ericka apart. Little do they know that his "too good to be true" love interest is actually a descendant of Abraham Van Helsing, ancient nemesis to Dracula and all other monsters.