IMDb:https://www.imdb.com/name/nm0423524/
Date of Birth:7 February 1929, Tocopilla, Tocopilla, II Región, Chile
Through Alejandro Jodorowsky's autobiographical lens, Endless Poetry narrates the years of the Chilean artist's youth during which he liberated himself from all of his former limitations, from his family, and was introduced into the foremost bohemian artistic circle of 1940s Chile where he met Enrique Lihn, Stella Díaz Varín, Nicanor Parra... at the time promising young but unknown artists who would later become the titans of twentieth-century Hispanic literature. He grew inspired by the beauty of existence alongside these beings, exploring life together, authentically and freely. A tribute to Chile's artistic heritage, Endless Poetry is also an ode to the quest for beauty and inner truth, as a universal force capable of changing one's life forever, written by a man who has dedicated his life and career to creating spiritual and artistic awareness across the globe.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters.
A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal.
Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.
Away from filmmaking, one of Jodorowsky's preoccupations over the past number of his decades has been his development of the therapeutic methods of psychomagic. According to this belief, psychological traumas are not just caused by the individual's own experiences, but can be handed down through generations and identified through the process of psychogenealogy. Jodorowsky has published a significant body of work on these concepts, and for decades held free consultations and study groups on the topic, integrating a lifetime of research into various academic disciplines into a form of therapy that he believes can free the consciousness of suffering. Before returning to the next volume of his cinematic memoirs, this new documentary offers fascinating insight into his motivations and beliefs.