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'Oil in the Blood' is a documentary feature film on the contemporary custom motorcycle culture. It's not a film about motorcycles, it's a film about motorcycle people. The philosophy of individualism is embedded in motorcycling. The desire to be different, unique, is at the root of the motorcyclist's imagination. Modifying, customising, changing bikes is at the very heart of the biker. The new wave custom scene as it is today, is a thriving subculture sitting on the edge of the mainstream motorcycle world, where individuals and groups of friends are busily chopping and building bikes in their sheds and kitchens; where single- proprietor micro- businesses are creating bespoke motorcycles for fuel hungry customers. Old forgotten motorcycles and models are being brought back to life - unfashionable, ugly ducklings turned into often preening peacocks. Old skills that were once disappearing are being learnt and mastered by a new generation, where the pride comes from graft and not purchasing.

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An unfaithful newly-wed wife, an estranged father, a priest and an angry son suddenly find themselves in the most unexpected predicaments, each poised to experience their destiny, all on one fateful day.

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Well-known actress Behnaz Jafari is left distraught when she comes across a provincial girl's video plea for help, after her family prevents her from taking up her studies at the Tehran drama conservatory. Behnaz abandons her shoot and turns to filmmaker Jafar Panahi to help with the young girl's troubles. They travel by car to the rural northwest, where they have amusing encounters with the charming and generous folk of the girl's mountain village. But Behnaz and Jafar also discover that old traditions die hard.

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