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Sequel to the feature film A Street Cat Named Bob.

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The story of witty and introspective Adam, who appears to be your typical young adult - a little unkempt with raging hormones and excited about a future pursuing his dream of becoming a chef. Expelled halfway through his senior year following an incident in chemistry class, Adam is diagnosed with a mental illness. Sent to a Catholic academy to finish out his term, Adam has little hope of fitting in and just wants to keep his illness secret until he can enroll in culinary school. But when he meets outspoken and fiercely intelligent Maya, there is an instant soulful and comforting connection. As their romance deepens, she inspires him to open his heart and not be defined by his condition. Now, with the love and support of his girlfriend and family, Adam is hopeful for the very first time that he can see the light and triumph over the challenges that lie ahead.

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E Patrick Johnson's oral history of gay Black men in the South, Sweet Tea, was based on the memories and perspectives of six friends. This is the story of how his research became a play, and what it meant to capture a community at the cultural heart of our wider movement.

From the etymology of tea-spilling to the resilience and brilliance of gay people of the area, Making Sweet Tea is both a queer history lesson and a character study. The material realities of lives in 'double jeopardy' are explored: HIV/AIDS, Black gay male friendship, gay men growing up in the American Baptist tradition, interracial dating, and stories of survival, but the charm and joy of these men never quits.



With drama (and not just the Patti Labelle drag) and just enough tea being served, this is the most soulful documentary of the year.

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They are fifteen young dancers of various origins and horizons. They are touring Crowd, Gisèle Vienne's dance piece on the 90's rave scene. Following them from theatre to theatre, If It Were Love documents their work as well as their strange, intimate relationships. For the line becomes blurry. The stage seems to contaminate real life - unless the opposite is happening. From a dance documentary, the film thus grows into a troubling journey into our nights, our parties, our loves.

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